Brazilian Lace in Ann Hamilton’s “habitus” Exhibition (translation)

Lace making is a very old art that was brought to Brazil by the Portuguese. Portugal is still known for its lace. In this tradition it is made with needles and with bobbins. Particularly in the Northeast of Brazil and in Santa Catarina, in the south, the lace-making tradition has been maintained.An example of bobbin lace making by Rosilândia Melo from Ilha Grande:

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You can imagine my surprise when I saw lace samples from Brazil in Ann Hamilton’s habitus, a current exhibition in Philadelphia. The lace samples were located on the 8th floor of the Fabric Workshop and Museum with some other common objects made of texiles, like dolls, blankets and samplers.

Also in the exhibition are “commonplace books,” photos of textiles, and other cloth objects.  These books also originated in Europe. People would collect sentences from books they had read, recipes, newspapers and magazine articles and put them in the commonplace books. Quite unique to the habitus exhibition, was the public participation. The public was invited to contribute their “common sentences” by internet. Anybody could submit a text about clothing or textiles (figurative or literal) . They selected some of the submissions and these were reprinted and made available on sheets of paper on the 2nd and 8th floors. The public is able to read them in the museum and take them home.

The exhibition links text and textile in the Fabric Workshop and Museum, but there is another part of it on the Delaware waterfront at Municipal Pier 9. There is a huge installation that is so creative and fun. Ann hung several large cloths in the warehouse. The public can make the cloths move by pulling on ropes. The ropes go through pulleys which are also connected to some apararatus that produce sound. In addition, there is other performance art in the space that includes spinning thread and unraveling a sweater. Lastly, the text is again joined with cloth by way of a large poem that is projected in the space. The poem is also exhibited in the Fabric Workshop and Museum in another format.

The artist, Ann Hamilton, always has been interested in spinning, weaving and textiles. With enthusiasm she speaks about these arts, that some have referred to as “crafts” throughout her career. Nevertheless, the artist has exhibited many important works: she represented the United States in the São Paulo Bienal in 1991 and in Venice in 1999. She has won various national art prizes and she teaches art at Ohio State University.

The exhibit, habitus, is a the Fabric Workshop and Museum in Philadelphia from September 17, 2016 to January 8, 2017. The Municipal Pier 9 installation is from September 6, 2016 to October 10, 2016. For more information, www.fabricworkshopandmuseum.org

 

Rendas do Brasil na exibição de Ann Hamilton, “habitus”

Rendas do Brasil na exibição de Ann Hamilton, “habitus”

Fabricar rendas é uma arte muito velha que foi levada ao Brasil pelos portugueses. Ainda hoje em Portugal fazem rendas e são muito cobiçadas. Fazem com agulhas e bilros. No nordeste do Brasil e em Santa Catarina mantêm essa tradição de fabricar rendas. Um exemplo de umas rendas de bilros de Rosilândia Melo de Ilha Grande: (wikipedia commons)

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Imagine a minha surpresa quando vi rendas do Brasil na exibição “habitus” de Ann Hamilton. As rendas estavam colocadas no oitavo andar do Fabric Workshop and Museum com outros objetos comuns e de tela, como bonecas, cobertores, e mostras de tela.

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(Photo by Celeste Dolores)

Também nesta exibição acham-se “commonplace books” , fotos de telas e outros objetos de tela. Estes livros têm origem também na Europa. As pessoas colecionavam sentenças de livros que leram, receitas, artigos do jornal e das revistas nestes livros. O que fizeram de especial para esta mostra, foi convidar o público para entregar suas sentenças comuns por internet para contribuir. Quer dizer, qualquer pessoa podia mandar algum texto sobre uma tela por internet. Eles selecionavam alguns e esses textos foram impressos e disponibilizados na segundo e oitavo andares para o publico ler e levar para casa.

A exibição junta texto e tela no Fabric Workshop Museum, mas tem outra parte na beira do Rio Delaware. No Municipel Pier 9 há uma instalação grande que é muito criativa e divertida. Ann pendurou varias telas enormes num armazém. O público pode fazer que as telas movam e emitem sons. Além disso, tem “performance art” de fiar e de desfazer um agasalho. Finalmente junta o texto com a tela com um grande poema projetado—este poema também aparece no Fabric Workshop and Museum.

A artista, Ann Hamilton, sempre estava interessada no fiar e na tela. Com entusiasmo ela fala sobre estas artes, que alguns têm considerado “artesanato” durante sua carreira. Mesmo assim a artista mostrou muitas obras importantes, e até representou os Estados Unidos no Bienal de São Paulo de 1991, e o de Venezia em 1999. Ganhou vários prêmios de arte nacionais e ensina arte na Universidade de Ohio. A mostra, habitus, fica no Fabric Workhop and Museum na Filadélfia desde o 17 de setembro de 2016 ate o 8 de janeiro de 2017. A instalação no Municipal Pier 9 fica entre o 6 de setembro de 2016 ate o 10 de outubro. Para mais informação: http://fabricworkshopandmuseum.org/